Marie Vieux Chauvet’s Theatres: Thought, Form, and Performance of Revolt at once reflects and acts upon the praxis of theatre that inspired Haitian writer Marie Vieux Chauvet, while at the same time provides incisively new cultural studies readings about revolt in her theatre and prose. Chauvet – like many free-minded women of the Caribbean and the African diaspora – was banned from the public sphere, leaving her work largely ignored for decades.

This article begins the study of the under-explored yet fundamental role of andikape (disability) mobility—the expression of subjectivity and the exercise of rights by the disabled—in Haitian history and society. It considers how recent tragic events in the Soud (Deaf) community fostered increased, collaborative mobilization of the moun andikape (the disabled) and related organizations to advocate for greater social inclusion, the securing of rights, and the expression of subjectivity.